All is Flux

Everything Changes and Nothing Stands Still

Everything Changes and Nothing Stands Still #10 and #11 (2019)
151 x 94 x 5 cm.  151 x 89 x 5 cm.
Several glazes in layers. Photo: Jeppe Gudmundsen

Detail Everything Changes and Nothing Stands Still #10 (2019)

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Exhibition: Ceramic Momentum- Staging the Object

Group show at CLAY  in Middelfart, curated by Copenhagen Ceramics.

Featuring 23 ceramic artists from USA, Japan, Sweden, Norway and Denmark:
Anders Ruhwald (DK), Turi Heisselberg Pedersen (DK), Carl Emil Jacobsen (DK), Mia E Göransson (SE), Ole Jensen (DK), Takuro Kuwata (JP), Pernille Pontoppidan Pedersen (DK), Matt Wedel (US), Christina Schou Christensen (DK), Bente Skjøttgaard (DK), Linda Sormin (CA), Morten Løbner Espersen (DK), Gitte Jungersen (DK), Karen Bennicke (DK), Steen Ipsen (DK) Anne Tophøj (DK), Marianne Krumbach (DK), Marianne Nielsen (DK), Marit Tingleff (NO), Martin Bodilsen Kaldahl (DK), Nils Erichsen Martin (NO), Anton Alvarez (CL/SE) og Michael Geertsen (DK)

11. maj – 03. november 2019

CLAY
Kongebrovej 42
DK-5500 Middelfart
Denmark

 

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Mindcraft18 at San Simpliciano


Mindcraft18, exhibition at San Simpliciano during Milan Designweek.
All is Flux #7 and All is Flux #8  (2018)
Photo: Julie Hering

‘All is Flux’ is a radical experiment based on enlarging and highlighting the tactile properties of ceramic glaze as a manifestation of the constant state of flux that characterizes the entire physical world, even if some transformation processes are so slow as to appear imperceptible. The liquid glaze is transformed in the kiln, but the apparent permanence of its new, solid form is merely an illusion, a temporary stage. Like a tactile snapshot, the works can be seen as a single point in the lifespan of the objects – just as there was a time before their current state, there is an ‘after’. Over time, the objects will break down, dissolve and re-emerge as new physical manifestations.

The objects in the series consist entirely of thick layers of different glazes that are poured into sharply defined rectangles and kiln-fired at 1280 degrees Celsius. In the kiln the glaze melts, boils and bubbles up, the process transforming the texture and appearance of the material and blurring the edges of the rectangular shape. A sudden reduction in the temperature freezes the chemical reaction. The complex and ambiguous textures can be seen both as primordial matter and as a manmade material in the process of melting and transformation.

All is Flux #7 and All is Flux #8
198 x 98 x 5 cm. 195 x 95 x 5 cm. Several layers of different glazes.
Easels: black stained wood.
Photo: Anders Sune Berg.

 

Detail (2018)
Photo: Anders Sune Berg.

Detail, All is Flux #8
Photo: Anders Sune Berg.

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Mindcraft18 at San Simpliciano, Milan Designweek

 

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Now & Here

Detail
Photo: Benita Marcussen.

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Now & Here

Now & Here (2017)
Photo: Benita Marcussen.

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All is Flux #3

All is Flux #3 (2015)
108 x 85 x 7 cm. Glaze on glaze
Photo:

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Zwinger und Ich, Bomuldsfabrikens Kunsthal

Exhibition View
Bomuldsfabrikens Kunsthal 2015
All is Flux #2 and All is Flux #3
Photo:

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All is Flux #2

 

All is Flux #2 (2015)
108 x 85 x 7 cm.  Glaze on glaze.
Photo Dorte Krogh.

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Hangmen working at Gustavsbergs Konsthall

Hangmen hanging All is Flux #2 (2016)
Photo: Maj Sandell

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All is Flux #1

All is Flux #1  (2016)
108 x 85 x 7 cm. Glaze on glaze.
Photo: Dorte Krogh.

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Exhibition view, Gustavsbergs Konsthall

Exhibition view, Gustavsbergs Konsthall (2016)
Photo: Maj Sandell

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All is Flux #4

 


All is Flux #4 (2016)
81 x 130 x 6 cm. Glaze on glaze
Photo: Maj Sandell

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All is Flux #4, exhibition view

All is Flux #4 (2016)
81 x 130 x 6 cm.  Glaze on glaze.
Photo: Maj Sandell

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Exhibition view, Gustavsbergs Konsthall

Exhibition view, All is Flux #6 (2016)
Photo: Maj Sandell

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All is Flux #6

All is Flux #6 (2016)
86 x 139 x 5 cm. Glaze on glaze
Photo: Maj Sandell

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Zwinger und Ich, Bomuldsfabrikens Kunsthall

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All is Flux #3

 

All is Flux #3 (2014)
108 x 85 x 7 cm. Several glazes on top of thick lava-glaze.
Photo: Dorte Krogh

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All is Flux #2

 

All is Flux #2 (2014)
108 x 85 x 7 cm.  Porcelain and lustre on top of thick lavaglaze.
Photo: Dorte Krogh.

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